Born and raised in Chicago IL, Kara Mann was steeped in an environment of creativity, elegance, and resourcefulness. An entrepreneur at heart, Kara would sell CDs to fund projects and lie about her age to work restaurant shifts. Now she runs her own studio and has racked up clients like Virgil Abloh, Goop and several luxury hotels. She’s just launched a collection with CB2 and a line of home essentials called Kept. The Wall Street Journal aptly calls her a “spark plug in the world of design.”

In this episode of Clever we’re deconstructing the success of New Zealand’s response to COVID-19 through a lens of design in a conversation with Ana Monroe, a civic design strategist and Akiko Kurematsu, a design and culture journalist in Auckland. New Zealand is considered a major success story in how they reacted to and contained the spread of Coronavirus, so we took a deep look at that success, by doing what designers do: taking it apart to see how it works.

Branding & design strategist Jessie McGuire was born in El Salvador and adopted by a “wholehearted feminist” single mother. She grew up exploring her creativity and getting encouragement to go to art school. After a few degrees and a slew of work experience she’s now the managing director of ThoughtMatter, where she’s fostering a culture of work worth doing, building a justifiable case for creativity and spreading the gospel of curiosity, thoughtfulness and generosity. And redesigning the constitution, nbd.

People-centered designer Marquise Stillwell spent his youth in Ohio learning to be a good neighbor and going to art museums with his grandfather. Always part of a community of makers—auto factories, steel plants, engineers and industrial designers—his curiosity for people and spaces grew into a passion for creating systems and formulas that make built environments better for all people. Not surprisingly, his ability to be open, vulnerable, listen and hold space is at the center of his design practice.

Graphic designer Stefan Sagmeister did not care for engineering in high school. He found designing a poster that would communicate a vibe and draw crowds to an event to be way more compelling. After design school, the Austrian native decided that New York is the city that fits him best. With many awards and a big name in his field, he’s now focusing on art, exhibitions and taking a sabbatical every 7 years. He’s got a brain for planning and long-term data which allows for a very optimistic long view.

This special Clever Extra, recorded live at RISD as the keynote presentation of Design Week RI, four creative thought leaders come together for a discussion on the power of creativity. As a social value, creativity often gets dismissed as “making things pretty” rather than being understood as the fundamental impulse and effort behind every creation. Here, with Panelists Rosanne Somerson, Sara Ossana, Umberto Crenca and Sophie Chien, we are discussing creativity as a core component of personal empowerment.

Design impresario Murray Moss grew up in a house his father engineered with a drinking fountain in the dining room. At 5, he redecorated his farmhouse bedroom with a Chinese motif. In college, after accidentally burning down his apartment with a fondue pot, he found his love of theatre. The ‘90s were all about MOSS, his Soho New York boutique that lit up the global high-design scene and paved the way for a new era of design as art. Cut to today: he’s a pedagogue, a retail consultant and as fabulous as ever.

Strategy and design consultant, Alain Sylvain, was born and raised in New York City, the son of Haitian immigrants. His early creativity included playing in fake bands and starting a fake restaurant. After studying international affairs and business he embarked on a brief stint in political campaigns, but that morphed into advertising and he found himself embracing both his creativity and business acumen to help leverage the might of corporations for the greater good. 

Designer / public servant, Ana Monroe, grew up in the south to radio station-owning liberals who taught her to reject the status quo in favor of positive change. While she never did inherit her Panamanian-born mother’s wild, beautiful curls, she did pick up her wide-open ideas about beauty. After graciously rejecting the idea of law school, she embarked on a series of professional adventures that led to her current work as a human-centered design leader at a federal government think tank.

Digital designer and writer Amélie Lamont is a native New Yorker and daughter of Jamaican immigrants. A self-proclaimed nerd, she grew up reading Encyclopedia Britannica and teaching herself to code. A life-long learner, she has pursued many different areas of study in school and hated them all, which is probably why her long-term vision for herself involves a PhD and starting a design school! As an outspoken advocate of PoC, she has initiated projects like People of Craft and The Guide to Allyship.